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| Issue |
Title |
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| No 4 (2025) |
‘Emancipation from emancipation.’ The authors of The New Age on the aesthetic principles of new poetry |
Abstract
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O. I. Polovinkina |
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| No 3 (2025) |
J. D. Salinger’s army prose: the beginnings of a classic (1940–1943) |
Abstract
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A. S. Surkova |
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| No 1 (2025) |
Mrs Dalloway, the seamstress Lugton, and all the animals of the world. The story of an untitled Virginia Woolf manuscript |
Abstract
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|
M. V. Ivankiva |
| |
| No 4 (2024) |
Did he personally know Capote? On the first Soviet translator of Capote’s short stories |
Abstract
|
|
D. V. Zakharov |
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| No 1 (2023) |
Criticism and fiction: An autofiction experience. Serge Doubrovsky and Raymond Federman |
Abstract
|
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L. E. Muravyova |
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| No 1 (2023) |
The ‘dishonesty’ of culture and the feminist ‘honesty’ in Elena Ferrante’s The Lying Life of Adults |
Abstract
|
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T. V. Yakushkina |
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| No 6 (2022) |
Houston Diary. Truman Capote’s unfinished project |
Abstract
|
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D. V. Zakharov |
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| No 5 (2022) |
Joseph Roth’s anti-American utopia |
Abstract
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A. I. Zherebin |
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| No 5 (2022) |
Endless return On a motif in Dan Pagis’s poetry |
Abstract
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N. L. Bystrov |
| |
| No 4 (2022) |
On understanding and translating the leitmotifs in Thomas Mann’s Royal Highness |
Abstract
|
|
E. M. Berkovich |
| |
| No 4 (2022) |
‘Notturn final’ Friedrich Nietzsche’s Turin in ‘Turin’ by Gottfried Benn |
Abstract
|
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E. V. Sokolova |
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| No 6 (2021) |
A self-destructing narration. The egocentricity of language, transcendence of poetry, and psychoanalysis in P. J. Jouve’s novel Hecate |
Abstract
|
|
Yu. M. Muratov |
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| No 4 (2021) |
Posthumous baggage. Harper Lee’s letters |
Abstract
|
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D. V. Zakharov |
| |
| No 3 (2021) |
The secrets of Arto Tapio Paasilinna’s stylistics |
Abstract
|
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A. P. Kashkarov |
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| No 1 (2021) |
Why is Hermann Karlovich afraid of mirrors? On V. Nabokov’s/Sirin’s novel Despair [Otchayanie] |
Abstract
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A. V. Zlochevskaya |
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| No 6 (2020) |
The stone wings of the ‘black swan’. On Stoner by J. Williams |
Abstract
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M. V. Khlebnikov |
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| No 4 (2020) |
An unknown Capote. The American writer’s juvenilia and unpublished short stories |
Abstract
|
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D. V. Zakharov |
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| No 2 (2020) |
Innovation and experiment in Webster’s The Duchess of Malfi |
Abstract
|
|
Lisa Hopkins |
| |
| No 5 (2019) |
The investigator: on ‘life’ after death. Charles Lewinsky’s Andersen |
Abstract
|
|
I. I. Reiderman |
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| No 2 (2019) |
‘Injin gifts’: Interracial exchange and the image of the white avenger in frontier fiction |
Abstract
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A. P. Urakova |
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| No 5 (2018) |
The image of Romeo as interpreted by Ivan Roskovshenko. From the history of Russian Petrarchism |
Abstract
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E. M. Lutsenko |
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| No 5 (2018) |
‘If this is Shakespeare, then I’m Virginia Woolf’ |
Abstract
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L. V. Egorova |
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| No 4 (2018) |
KAZUO ISHIGURO. THE WRITER IN THE ‘FLOATING WORLD’ |
Abstract
PDF (Rus)
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|
O. Sidorova |
| |
| No 1 (2018) |
MUSICAL TECHNIQUES IN OUR MUTUAL FRIEND BY CHARLES DICKENS |
Abstract
PDF (Rus)
|
|
E. Shevchenko |
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