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| Issue |
Title |
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| No 4 (2022) |
Variants of metaprose |
Abstract
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M. F. Amusin |
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| No 4 (2022) |
The imaginary space of M. Tsvetaeva’s poem ‘In the Hall’ [‘V zale’] and the reader’s strategy |
Abstract
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A. A. Aksyonova |
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| No 3 (2022) |
‘ Winds from afar did bring hints of a song of a spring…’. Aleksandr Blok’s poetic traditions in the Russian ‘lieutenant prose’ |
Abstract
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S. V. Perevalova |
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| No 3 (2022) |
‘A verse ringing like a tambourine…’. The poetry of Ivan Pulkin |
Abstract
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E. A. Balashova, I. A. Kargashin |
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| No 2 (2022) |
Between the issues of the day and the transcendent. Gayto Gazdanov: from autobiographism to metanarration |
Abstract
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K. K. Sultanov |
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| No 1 (2022) |
Gender inversion in the ‘critique of a critic’. Zinaida Gippius on Korney Chukovsky |
Abstract
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S. V. Fedotova |
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| No 1 (2022) |
‘The scream of a dragonfly’ or, B. Eichenbaum and Acmeism. Based on the Russkaya Molva newspaper (1912–1913) |
Abstract
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E. I. Orlova |
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| No 6 (2021) |
Margarita Dovlatova’s career in literature |
Abstract
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D. A. Dobrozrakova |
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| No 5 (2021) |
Black Square. On the extent of Gorky’s avant-gardism |
Abstract
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L. V. Borisova |
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| No 5 (2021) |
A refugee to God. Aleksandr Vvedensky’s spiritual parables |
Abstract
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V. V. Baydin |
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| No 5 (2021) |
‘A type of a literary Cheka agent’: G. Benn on S. Tretiakov’s Berlin lectures |
Abstract
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N. I. Kovalyov |
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| No 3 (2021) |
A ‘small homeland’ in the world context. On Vasily Belov’s early stories |
Abstract
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I. O. Shaytanov |
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| No 3 (2021) |
Discord. Essays on folk aesthetics in an era of disappearing time. On the novel The Best Is Still to Come [Vsyo vperedi] by V. Belov |
Abstract
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|
A. V. Chernov |
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| No 6 (2020) |
‘A third way’ of Sergey Dovlatov |
Abstract
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I. V. Savelzon |
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| No 5 (2020) |
The Kolyma bestiary. Animals and animality in V. Shalamov's prose |
Abstract
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I. V. Lukin |
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| No 3 (2020) |
The artistic space of Y. Trifonov’s The House on the Embankment [Dom na naberezhnoy] |
Abstract
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|
O. N. Shelukhina |
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| No 1 (2020) |
Tsvetaeva reads Tolstoy. Leo Tolstoy in Marina Tsvetaeva’s reading and creative consciousness |
Abstract
|
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L. L. Kertman |
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| No 1 (2020) |
Marina Tsvetaeva’s dowry |
Abstract
|
|
S. N. Lyutova, I. I. Dronova |
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| No 5 (2019) |
Twice lived youth of Yaroslav Smelyakov |
Abstract
|
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S. L. Strashnov |
| |
| No 3 (2019) |
Destiny. Character. Soul-Baring. A panel discussion marking the 90th anniversary of Vasily Shukshin |
Abstract
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P. S. Glushakov |
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| No 3 (2019) |
Egor Prokudin’s bearing |
Abstract
|
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P. S. Glushakov |
| |
| No 2 (2019) |
Bella Akhmadulina and the Sixtiers: Contacts, contexts, and poems |
Abstract
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A. S. Bokarev, T. G. Kuchina |
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| No 2 (2019) |
‘I see the divine will working in culture’. A 1994 questionnaire filled out by Boris Chichibabin |
Abstract
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P. S. Glushakov |
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| No 1 (2019) |
Trifonov’s and Makanin’s eternal themes |
Abstract
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M. F. Amusin |
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| No 6 (2018) |
Notes about Inna Lisnyanskaya and Semyon Lipkin |
Abstract
|
|
V. Y. Boteva |
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| No 5 (2018) |
The death of Sergey Esenin: A forensic’s view of the cultural and historical event |
Abstract
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L. V. Bertovsky, V. M. Klyueva, A. L. Lisovetsky |
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| No 5 (2018) |
‘The beauties of those times...’. Osip Mandelstam and Olga Hildebrandt |
Abstract
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S. G. Shindin |
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| No 5 (2018) |
The story and legends of The Forty-First |
Abstract
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|
N. S. Bakhova |
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| No 2 (2018) |
KONSTANTIN FEDIN. A PORTRAIT OF A PUBLISHER |
Abstract
PDF (Rus)
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I. Kabanova, K. Kasovich, E. Poznyakova |
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