|   | 
        | Issue | 
    Title | 
|   | 
        | No 2 (2025) | 
    Tea semiotics in Russian literature. Pushkin and others | 
    
            Abstract
             | 
    | 
                    V. G. Mekhtiev             | 
|   | 
        | No 5 (2024) | 
    Behind the stage  of a literary text ‘A wish from place to place to roam…’ | 
    
            Abstract
             | 
    | 
                    E. N. Tsimbaeva             | 
|   | 
        | No 1 (2024) | 
    ‘Far too much of contradiction’ [‘Protivorechiy ochen mnogo’] | 
    
            Abstract
             | 
    | 
                    E. N. Tsimbaeva             | 
|   | 
        | No 6 (2023) | 
    Vladimir Voynovich: ‘I want to be honest’ | 
    
            Abstract
             | 
    | 
                    V. M. Essipov             | 
|   | 
        | No 6 (2022) | 
    Pushkin’s autograph as a bribe. A few brush strokes towards a portrait of N. Lerner | 
    
            Abstract
             | 
    | 
                    S. A. Batyuto             | 
|   | 
        | No 4 (2022) | 
    Behind the stage of a literary text. ‘The crown of marriage was projected for them by fathers…’ | 
    
            Abstract
             | 
    | 
                    E. N. Tsimbaeva             | 
|   | 
        | No 2 (2022) | 
    Behind the stage of a literary text ‘The blessing of good health’ | 
    
            Abstract
             | 
    | 
                    E. N. Tsimbaeva             | 
|   | 
        | No 4 (2021) | 
    Innokenty Annensky: the poet’s appearance | 
    
            Abstract
             | 
    | 
                    N. Gamalova             | 
|   | 
        | No 6 (2020) | 
    Behind the stage of a literary text. ‘Custom is despot among men’ | 
    
            Abstract
             | 
    | 
                    E. N. Tsimbaeva             | 
|   | 
    
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