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| Issue |
Title |
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| No 6 (2025) |
The writer Nikolay Leskov and the archpriest Savely Tuberozov ‘Artificial’ surnames in literature and life |
Abstract
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V. A. Korshunkov |
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| No 6 (2025) |
‘…To be published by YMCA’ Towards the history of the publication of Nina Berberova’s The Relief of Fate [Oblegchenie uchasti] |
Abstract
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A. V. Martynov |
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| No 5 (2025) |
Marcel Proust and the ‘Stabbed Dove:’ Maria Scheikévitch in In Search of Lost Time |
Abstract
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S. L. Fokin |
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| No 5 (2025) |
The function of the Parisian ‘societal code’ in Marcel Proust’s In the Shadow of Young Girls in Flower |
Abstract
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A. A. Ruban |
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| No 2 (2025) |
Tea semiotics in Russian literature. Pushkin and others |
Abstract
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V. G. Mekhtiev |
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| No 5 (2024) |
Behind the stage of a literary text ‘A wish from place to place to roam…’ |
Abstract
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|
E. N. Tsimbaeva |
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| No 1 (2024) |
‘Far too much of contradiction’ [‘Protivorechiy ochen mnogo’] |
Abstract
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|
E. N. Tsimbaeva |
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| No 6 (2023) |
Vladimir Voynovich: ‘I want to be honest’ |
Abstract
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|
V. M. Essipov |
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| No 6 (2022) |
Pushkin’s autograph as a bribe. A few brush strokes towards a portrait of N. Lerner |
Abstract
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S. A. Batyuto |
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| No 4 (2022) |
Behind the stage of a literary text. ‘The crown of marriage was projected for them by fathers…’ |
Abstract
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E. N. Tsimbaeva |
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| No 2 (2022) |
Behind the stage of a literary text ‘The blessing of good health’ |
Abstract
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E. N. Tsimbaeva |
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| No 4 (2021) |
Innokenty Annensky: the poet’s appearance |
Abstract
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|
N. Gamalova |
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| No 6 (2020) |
Behind the stage of a literary text. ‘Custom is despot among men’ |
Abstract
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|
E. N. Tsimbaeva |
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