| |
| Issue |
Title |
| |
| No 2 (2025) |
Intellectual humour. Konstantin Simonov’s individual style: the poet through the lens of parodists |
Abstract
|
|
I. N. Korzhova |
| |
| No 1 (2025) |
The readers and the listeners in Don Quixote |
Abstract
|
|
M. B. Smirnova |
| |
| No 6 (2024) |
‘The world inside out’ in the French mediaeval romance |
Abstract
|
|
N. M. Dolgorukova, A. A. Abbasova |
| |
| No 5 (2022) |
Wartime songs: An attempt at genre analysis |
Abstract
|
|
T. A. Gordon |
| |
| No 1 (2022) |
In search of a ‘crosscurrent.’ The metaplot of Eugene Onegin |
Abstract
|
|
V. K. Zubareva |
| |
| No 3 (2020) |
‘No good at all but I love him’ The poetics of K. Chukovsky’s diaries |
Abstract
|
|
T. A. Gordon |
| |
| No 3 (2020) |
‘Complete rubbish but a real page-turner’ Chukovsky and detective stories |
Abstract
|
|
P. A. Moiseev |
| |
| No 4 (2018) |
A CRISIS OF HYBRID GENRES: PHILIPPE FOREST AND THE RETURN OF THE ‘I-NOVEL’ TO FRENCH LITERATURE |
Abstract
PDF (Rus)
|
|
L. Muravyova |
| |
| No 4 (2018) |
‘IMAGINARY’ AND ‘EXPERIENCED’ IN THE NOVELS BY ROMAIN GARY |
Abstract
PDF (Rus)
|
|
V. Shervashidze |
| |
| 1 - 9 of 9 Items |
|
