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| Issue |
Title |
| |
| No 4 (2024) |
Sandro-syndrome. Context-based allegory in F. Iskander’s tour-de-force novel |
Abstract
|
|
I. V. Mikhaylov |
| |
| No 3 (2024) |
Evocations of Nekrasov’s trench prose in Elena Rzhevskaya’s novellas |
Abstract
|
|
S. V. Perevalova |
| |
| No 3 (2024) |
When archetypes are called up. Motifs of Kazakh folklore in the war drama Batyrs of the Steppe [Batyry stepey] |
Abstract
|
|
A. K. Ishanova, A. A. Pronin, A. V. Svyatoslavsky |
| |
| No 3 (2024) |
Wartime living of Salomėja Nėris. Lithuanian writers in Penza in 1941 |
Abstract
|
|
D. V. Yakupova |
| |
| No 2 (2024) |
The overlooked traits of the ‘new drama’. The literary fate of S. Naydyonov |
Abstract
|
|
M. V. Mikhailova, I. K. Sushilina |
| |
| No 5 (2022) |
A day that spanned years… David Samoylov’s sketch ‘A Day with Zabolotsky’ [‘Den s Zabolotskim’]: Semantic counterpoints |
Abstract
|
|
N. A. Reznichenko |
| |
| No 5 (2022) |
‘For lack of a better word…’ M. Isakovsky’s two letters on A. Prasolov’s poetry |
Abstract
|
|
P. S. Glushakov |
| |
| No 1 (2021) |
Ars memoriae — ars oblivionis in the poetry of the ‘first wave’ Russian emigrants |
Abstract
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|
J. Brzykcy |
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