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Justified exoticism, or, Kabuki Theatre touring the Soviet Union in 1928
https://doi.org/10.31425/0042-8795-2018-5-39-75
Abstract
The article offers a detailed account of the first tour of a Kabuki troupe in theSoviet Union, commenting on its political and cultural significance. Kabuki performers were invited to theUSSRfor primarily political reasons: establishing contact between the two governments came first, and the tour was regarded as a success for Soviet diplomacy rather than an achievement of Japanese culture. However, the political hype soon subsided and more people realized the extraordinary significance of this tour for the history of the theatre. The tour became a nation-wide event. The authors cite numerous newspaper reviews of the Kabuki plays, as well as correspondence between politicians, who had anticipated a flop, but were amazed at the reaction of Soviet audiences to this Japanese ‘exoticism’ because the tour had been mostly targeted at the Japanese community. The latter saw the tour as a sign of the Soviets’ readiness for peaceful coexistence withJapan.
About the Authors
Yu KitamuraJapan
Yukiko Kitamura, independent researcher
6-3-2 Mukonoso, Amagasaki-shi, Hyogo-ken, 661 0035, Japan
D Savelli
Universitе Toulouse – Jean Jaurfs
France
France
Dani Savelli, PhD in Philology
5 allеes Antonio Machado, Cedex 9, Toulouse, 31058, France
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Review
For citations:
Kitamura Yu., Savelli D. Justified exoticism, or, Kabuki Theatre touring the Soviet Union in 1928. Voprosy literatury. 2018;(5):39-75. (In Russ.) https://doi.org/10.31425/0042-8795-2018-5-39-75
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