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The genre has a pulse: Ode in modern Russian poetry
https://doi.org/10.31425/0042-8795-2024-5-40-60
Abstract
The article seeks to disprove the assumption that the ode as a poetic genre breathed its last in the 1830s–1850s. The scholars suggest that no genre remains a form cast in concrete, but instead serves as a toolkit facilitating the creative process. To prove that the genre of ode is still relevant, the authors consider works of four eminent modern poets — A. Belyakov, V. Gandelsman, I. Ermakova, and A. Kushner — and describe their use of the genre. In each case, ode features prominently, its importance recognized by the poets themselves. The article argues in favour of a more in-depth study of the evolution of the ode in the non-canonical period of Russian literary history.
About the Authors
V. I. Kozlov
The poetry journal Prosodia; Centre for Creative Writing and Cultural Industries of the Institute of Philology,
Journalism and Intercultural Communication, Southern Federal University
Russian Federation
Russian Federation
Vladimir I. Kozlov - Doctor of Philology
93 Universitetsky Ln., Rostov-on-Don, 344006
O. S. Miroshnichenko
Institute of Philology, Journalism and Intercultural Communication, Southern Federal University
Russian Federation
Russian Federation
Oksana S. Miroshnichenko - Candidate of Philology
93 Universitetsky Ln., Rostov-on-Don, 344006
References
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Review
For citations:
Kozlov V.I., Miroshnichenko O.S. The genre has a pulse: Ode in modern Russian poetry. Voprosy literatury. 2024;(5):40-60. (In Russ.) https://doi.org/10.31425/0042-8795-2024-5-40-60
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