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Not in Marshak’s style. Little known Russian translations from William Blake in the early 20th century
https://doi.org/10.31425/0042-8795-2019-1-178-204
Abstract
The publication consists of a supplementary article and a brief commentary to the little known translations of W. Blake’s works made by Russian poets in the early 20th century. Back in the 1900s—1910s, the Russian authors perceived Blake as a precursor to Symbolists, so e. g. V. Elsner, K. Balmont, and S. Remizova-Dovgello (A. Remizov’s wife), among others, chose to emphasize this particular quality in their translations. Almost completely abandoned in the Soviet period, these translations are reclaiming attention in the article that aims to right the historical injustice and highlight an important trend in changing interpretation of Blake’s oeuvre by Russian translators: from the pronounced Symbolist angle in the versions by the Silver Age authors to S. Marshak’s simplification. Following the article is the translation of Blake’s The Marriage of Heaven and Hell and A Song of Liberty penned by S. Remizova-Dovgello in a lofty and excessive, baroque style of the Symbolists in the early 1900s. The published poems are based on A. Remizov’s and S. Remizova-Dovgello’s holographs.
About the Author
V. V. Serdechnaya
Kuban State University
Russian Federation
Russian Federation
Vera V. Serdechnaya - Candidate of Philology.
149 Stavropolskaya St., Krasnodar, 350040
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Review
For citations:
Serdechnaya V.V. Not in Marshak’s style. Little known Russian translations from William Blake in the early 20th century. Voprosy literatury. 2019;(1):178-204. (In Russ.) https://doi.org/10.31425/0042-8795-2019-1-178-204
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