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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">voplit</journal-id><journal-title-group><journal-title xml:lang="ru">Вопросы литературы</journal-title><trans-title-group xml:lang="en"><trans-title>Voprosy literatury</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0042-8795</issn><publisher><publisher-name>Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31425/0042-8795-2021-6-158-169</article-id><article-id custom-type="elpub" pub-id-type="custom">voplit-500</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ЗАРУБЕЖНАЯ ЛИТЕРАТУРА / Современные имена</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>WORLD LITERATURE / Contemporary Figures</subject></subj-group></article-categories><title-group><article-title>Прием ненадежного нарратора как ключ к жанровым лабиринтам «Пиранези»</article-title><trans-title-group xml:lang="en"><trans-title>The method of unreliable narrator as a key to the genre labyrinths of Piranesi</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Зелезинская</surname><given-names>Н. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Zelezinskaya</surname><given-names>N. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Наталья Станиславовна Зелезинская, литературовед</p><p>220030, г. Минск, проспект Независимости, д. 4</p></bio><bio xml:lang="en"><p>Natalia S. Zelezinskaya, literary critic</p><p>4 Nezavisimosti Av., Minsk, 220030</p></bio><email xlink:type="simple">zelennew@tut.by</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Белорусский государственный университет</institution><country>Беларусь</country></aff><aff xml:lang="en"><institution>Belarusian State University</institution><country>Belarus</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>22</day><month>03</month><year>2022</year></pub-date><volume>0</volume><issue>6</issue><fpage>158</fpage><lpage>169</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury», 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><copyright-holder xml:lang="en">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><license xlink:href="https://www.voplit.com/jour/about/submissions#copyrightNotice" xlink:type="simple"><license-p>https://www.voplit.com/jour/about/submissions#copyrightNotice</license-p></license></permissions><self-uri xlink:href="https://www.voplit.com/jour/article/view/500">https://www.voplit.com/jour/article/view/500</self-uri><abstract><p>В статье показано, как Сюзанна Кларк в романе «Пиранези» через принципиальную неустойчивость жанровой атрибуции и ненадежность повествователя приводит читателя к пониманию эволюции базовых для современного европейского сознания идей инаковости, самости, истины, разума и чувства.</p></abstract><trans-abstract xml:lang="en"><p>The article demonstrates how Susanna Clarke utilises the principally unstable genre attributions in Piranesi to guide the reader to comprehension of the ideas at the core of contemporary European thinking: otherness, the plurality of opinion, truth as a matter of opinion, acceptance of the Self, equality in diversity, and the prerogative of heart over mind. Clarke proceeds with a successful study of human nature through the prism of ‘otherness.’ Starting off with the traditional interpretation of ‘Another’ as alien, Clarke leads the reader towards a more edgy and relevant interpretation of the problem — searching for Oneself in Another and for Another in Oneself. The relativist paradigm in the novel is realised through a polyphony of consciousnesses. Changing voices allow the reader to identify the genre and related philosophical viewpoints in order to test each of them on the novel’s events. Searching for genre-specific keys to Piranesi’s labyrinth, the reader turns to the author for help. However, Clarke chooses the form of an unreliable narrator, modelling the situation with the search for a way out of the labyrinth in real life too.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Э. М. Форстер</kwd><kwd>С. Кларк</kwd><kwd>гибридизация жанров</kwd><kwd>миф</kwd><kwd>роман</kwd><kwd>аллюзия</kwd><kwd>ненадежный нарратор</kwd><kwd>Другой</kwd><kwd>инаковость</kwd></kwd-group><kwd-group xml:lang="en"><kwd>E. M. Forster</kwd><kwd>S. Clarke</kwd><kwd>hybridisation of genres</kwd><kwd>a myth</kwd><kwd>a novel</kwd><kwd>anallusion</kwd><kwd>an unreliable narrator</kwd><kwd>the Other</kwd><kwd>otherness</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Половцев Д. О. Что же произошло вМарабарских пещерах? (Аналитическая психология К. Г. Юнга ироман Э. М. Форстера «Поездка вИндию»)// Науковi записки Харькiвського нацiонального педагогiчного унiверситету iм. Г. С. Сковороди. Сер. Лiтературознавство. 2006. Вып. 4(48). Ч.1. С. 61–67.</mixed-citation><mixed-citation xml:lang="en">Jung, C. G. (1991). Archetype and symbol. Translated by V. Zelinsky, A. Rutkevich et al. Moscow: Renessans. 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