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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">voplit</journal-id><journal-title-group><journal-title xml:lang="ru">Вопросы литературы</journal-title><trans-title-group xml:lang="en"><trans-title>Voprosy literatury</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0042-8795</issn><publisher><publisher-name>Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31425/0042-8795-2018-2-207-217</article-id><article-id custom-type="elpub" pub-id-type="custom">voplit-37</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>КУЛЬТУРНЫЙ ТРАНСФЕР</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>CULTURAL TRANSFER</subject></subj-group></article-categories><title-group><article-title>СТОКГОЛЬМСКИЙ СИНДРОМ ВЛАДИМИРА НАБОКОВА. НЕСКОЛЬКО СЛОВ О ЛЮБВИ К ПАЛАЧУ  В РОМАНЕ «ПРИГЛАШЕНИЕ НА КАЗНЬ»</article-title><trans-title-group xml:lang="en"><trans-title>V. NABOKOV’S STOCKHOLM SYNDROME. A FEW WORDS ON THE LOVE FOR THE EXECUTIONER IN V. NABOKOV’S ‘INVITATION TO A BEHEADING’ [PRIGLASHENIE NA KAZN’]</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Казакова</surname><given-names>Н. Ю.</given-names></name><name name-style="western" xml:lang="en"><surname>Kazakova</surname><given-names>N.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Наталья Юрьевна Казакова, кандидат филологических наук, адъюнкт-доцент кафедры славянских языков и литератур.</p><p>Сфера интересов - русская литература ХIX-ХХ веков, творчество Ф. Достоевского и В. Розанова, история русской журналистики конца ХIX - начала ХХ века. Автор ряда статей по указанной проблематике, а также книги «Философия игры: Василий Розанов - литературный критик газеты А. С. Суворина “Новое время”» (2001). </p></bio><bio xml:lang="en"><p>Natalia Yurievna Kazakova, Candidate of Philology, Adjunct Associate Professor of the Division of Russian and Slavic Languages.</p><p>Academic interests include the Russian literature of the 19th century, works of F. Dostoevsky and V. Rozanov, Russian journalism at the turn of the 20th century. She has published a number of articles on aforementioned subjects, as well the book The Philosophy of the Game: Vasily Rozanov as Literary Critic of A. S. Suvorin’s ‘Novoe Vremya’ Newspaper [Filosofiya igry: Vasily Rozanov  literaturniy kritik gazety A. S. Suvorina ‘Novoe vremya’] (2001). </p></bio><email xlink:type="simple">natkaz2002@yahoo.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Хантерский колледж, Нью-Йоркский городской университет</institution><country>Соединённые Штаты Америки</country></aff><aff xml:lang="en"><institution>Hunter College, CUNY</institution><country>United States</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>30</day><month>09</month><year>2018</year></pub-date><volume>0</volume><issue>2</issue><fpage>207</fpage><lpage>217</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury», 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><copyright-holder xml:lang="en">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><license xlink:href="https://www.voplit.com/jour/about/submissions#copyrightNotice" xlink:type="simple"><license-p>https://www.voplit.com/jour/about/submissions#copyrightNotice</license-p></license></permissions><self-uri xlink:href="https://www.voplit.com/jour/article/view/37">https://www.voplit.com/jour/article/view/37</self-uri><abstract><p>Автор статьи, впервые детально анализируя образ палача в романе Набокова «Приглашение на казнь», отмечает, что за год до этого произведения была опубликована повесть Пера Лагерквиста «Палач» (1933) на шведском языке. Появление практически в то же время романа Набокова представляется неслучайным. Оставляя в стороне широко обсуждаемые литературные и библейские реминисценции в романе Набокова, автор статьи предлагает обратить внимание на эсхатологию времени (Европа 1930-х), которое задавало свой собственный дискурс и диктовало выбор нового героя, которым и стал палач.</p></abstract><trans-abstract xml:lang="en"><p>The first analysis of this kind, the article considers the image of the executioner in V. Nabokov’s novel Invitation to a Beheading [Priglashenie na kazn’]. One of the novel’s main themes is defilement of an individual in a violence-fuelled system. It is through the image of the executioner M’sieur Pierre that we grasp everyman’s cruelty towards the liberal thinker Cincinnatus. At the same time, resisting the executioner, Cincinnatus achieves new insight into the purpose of life and experiences an existential winning of Freedom.</p><p>A year before Nabokov’s novel came out P. Lagerkvist published his story The Hangman [Bödeln] (1933) in Swedish. The author points out the hitherto unnoticed similarity between the two works. Comparing two executioners, the author discovers that, although Lagerkvist’s menacing hangman looks nothing like Nabokov’s rotund and vulgar joker M’sieur Pierre, their inherent urge for cruelty and abuse is the same, so is the cheering of the surrounding townsmen. The two different works also share their historical context (Europe in the 1930s): the executioners in Nabokov’s and Lagerkvist’s books embody the new historical discourse.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>В. Набоков</kwd><kwd>П. Лагерквист</kwd><kwd>«Приглашение на казнь»</kwd><kwd>Цинциннат</kwd><kwd>м-сье Пьер</kwd><kwd>палач</kwd><kwd>смертная казнь</kwd><kwd>абсурд</kwd><kwd>свобода</kwd><kwd>пошлость</kwd><kwd>ложь</kwd></kwd-group><kwd-group xml:lang="en"><kwd>V. Nabokov</kwd><kwd>P. Lagerkvist</kwd><kwd>Invitation to a Beheading [Priglashenie na kazn’]</kwd><kwd>Cincinnatus</kwd><kwd>M’sieur Pierre</kwd><kwd>executioner</kwd><kwd>execution</kwd><kwd>absurdity</kwd><kwd>freedom</kwd><kwd>vulgarity</kwd><kwd>a lie</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Аверин Б. Дар Мнемозины: романы Набокова в контексте русской автобиографической традиции. СПб.: Амфора, 2003.</mixed-citation><mixed-citation xml:lang="en">Alexandrov V. E. Nabokov’s Otherworld. Princeton: Princeton U. P., 1991.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Анастасьев Н. Набоков: Одинокий король. М.: Центрполиграф, 2002.</mixed-citation><mixed-citation xml:lang="en">Anastasieev N. Nabokov: The Lonely King. Moscow: Tsentrpoligraf, 2002. 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