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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">voplit</journal-id><journal-title-group><journal-title xml:lang="ru">Вопросы литературы</journal-title><trans-title-group xml:lang="en"><trans-title>Voprosy literatury</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0042-8795</issn><publisher><publisher-name>Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31425/0042-8795-2019-4-280-283</article-id><article-id custom-type="elpub" pub-id-type="custom">voplit-225</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>КНИЖНЫЙ РАЗВОРОТ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>DOUBLE-PAGE SPREAD</subject></subj-group></article-categories><title-group><article-title>Stuart Sillars. Shakespeare and the visual imagination</article-title><trans-title-group xml:lang="en"><trans-title>Stuart Sillars. Shakespeare and the visual imagination</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Рыбко</surname><given-names>И. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Rybko</surname><given-names>I. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Иван Анатольевич Рыбко - аспирант</p><p>125993, г. Москва, Миусская пл., д. 6</p></bio><bio xml:lang="en"><p>Ivan A. Rybko - postgraduate student</p><p>6 Miusskaya Sq., Moscow, 125993</p></bio><email xlink:type="simple">iarybko@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский государственный гуманитарный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University for the Humanities</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>22</day><month>08</month><year>2019</year></pub-date><volume>0</volume><issue>4</issue><fpage>280</fpage><lpage>283</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury», 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><copyright-holder xml:lang="en">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><license xlink:href="https://www.voplit.com/jour/about/submissions#copyrightNotice" xlink:type="simple"><license-p>https://www.voplit.com/jour/about/submissions#copyrightNotice</license-p></license></permissions><self-uri xlink:href="https://www.voplit.com/jour/article/view/225">https://www.voplit.com/jour/article/view/225</self-uri><abstract><p>В рецензии рассматривается книга С. Силларса «Шекспир и визуальное воображение». Раскрывается содержание понятия «визуальное воображение» в шекспировское время и то, какова роль воображаемого в пьесах английского драматурга.</p></abstract><trans-abstract xml:lang="en"><p>The review is devoted to S. Sillars’ book Shakespeare and the Visual Imagination. Sillars introduces the concept of ‘visual imagination’ and examines it through the works of Shakespeare. Other key notions for the study include copia and ethopoeia. Sillars uses them to combine analyses of different Shakespearean plays. In his examination of the playwright’s legacy Sillars employs a variety of methods, which counts as a merit rather than a flaw of this work. However, his arguments justifying a special place for As You Like It and The Winter’s Tale among Shakespeare’s oeuvre are not convincing. In his study Sillars turns to subjects well known to researchers, but also references less common works for comparison (Hypnerotomachia Poliphili ).</p></trans-abstract><kwd-group xml:lang="ru"><kwd>У. Шекспир</kwd><kwd>«Как вам это понравится»</kwd><kwd>«Зимняя сказка»</kwd><kwd>визуальное воображение</kwd><kwd>комедия</kwd><kwd>эмблема</kwd><kwd>copia</kwd><kwd>ethopoeia</kwd></kwd-group><kwd-group xml:lang="en"><kwd>W. Shakespeare</kwd><kwd>As You Like It</kwd><kwd>The Winter’s Tale</kwd><kwd>visual imagination</kwd><kwd>comedy</kwd><kwd>emblem</kwd><kwd>copia</kwd><kwd>ethopoeia</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
