voplitВопросы литературыVoprosy literatury0042-8795Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»10.31425/0042-8795-2019-4-231-246voplit-221Research ArticleСРАВНИТЕЛЬНАЯ ПОЭТИКАCOMPARATIVE STUDIES«Арден из Фавершема». Блокнот переводчикаArden of Faversham. Translator’s notebookКорчевскийA. А.KorchevskyA. A.

Андрей Александрович Корчевский - кандидат физико-математических наук, доктор биологических наук

80033, США, г. Уит Ридж, Западный 43-й пр-т, д. 10201

Andrey A. Korchevsky - Candidate of Physics and Mathematics, Doctor of Biology

10201 West 43 Av., Wheat Ridge, Colorado, 80033, USA

akorchevskiy@c-ih.comChemistry & Industrial Hygiene, Inc.Соединённые Штаты АмерикиChemistry & Industrial Hygiene, Inc.United States20192208201904231246Copyright © Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury», 20192019Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»https://www.voplit.com/jour/about/submissions#copyrightNoticehttps://www.voplit.com/jour/article/view/221

Автор делится заметками и наблюдениями о своей работе над переводом пьесы неизвестного автора «Арден из Фавершема», впервые опубликованной в 1592 году. «Страницы из блокнота» отражают вопросы истории пьесы, особенности ее драматургии и версификации, а также возможной частичной атрибуции Шекспиру.

The author explores different aspects of his work on the Russian translation of Arden of Faversham, a famous play from Tudor period, first published in 1592, and written, and staged apparently several years earlier. Andrey Korchevsky argues why this textbook piece was never translated into Russian language and suggests that the anonymity of the author could play a role in its exclusion from consideration by the Soviet translation school. The context of authorship, in general, seems to be very relevant for the translation process, especially with Shakespeare being named as a ‘suspect’ for participation in the playwriting of Arden (as evinced by the works of McDonald Jackson and Marina Tarlinskaya). Korchevsky illustrates some Shakespearean allusions in Arden of Faversham, including some references to Macbeth and Two Gentlemen of Verona. Some other aspects of the translation process are discussed, including the difficulties in translating contemporary jokes, specifics of Russian pronunciation of the ‘Faversham’ toponym, and unexpected, but pronounced, feminism message of the play.

«Арден из Фавершема»версификацияавторствопоэтический переводArden of Favershamversificationauthorshippoetic translationReferencesDictionary of national biography / Ed. by Sidney Lee. N. Y.: The Macmillan Company, 1909.Betteridge, T. and Walker G., eds. (2012). The Oxford handbook of Tudor drama. Oxford: Oxford U. P.Elliott J., Greatley-Hirsch B. «Arden of Faversham», Shakespearean authorship, and «The Print of Many» // Taylor G., Egan G. Authorship companion. Oxford: Oxford U. P., 2017. P. 139–181.Elliott, J. and Greatley-Hirsch, B. (2017). ‘Arden of Faversham’, Shakespearean authorship, and ‘The Print of Many’. In: G. Taylor and G. Egan, eds., Authorship companion. Oxford: Oxford U. P., pp. 139-181.Jackson M. Parallels and poetry: Shakespeare, Kyd, and Arden of Faversham // Medieval & Renaissance drama in England. 2010. № 23. P. 17–33.Jackson, M. (2010). Parallels and poetry: Shakespeare, Kyd, and Arden of Faversham. Medieval & Renaissance Drama in England, 23, pp. 17-33.Jackson M.«Arden of Faversham» and Shakespeare’s early collaborations: The Evidence of meter // Style. 2016. № 1. P. 65–79.Jackson, M. (2016). ‘Arden of Faversham’ and Shakespeare’s early collaborations: The Evidence of meter. Style, 1, pp. 65-79.Tarlinskaja M. Shakespeare in «Arden of Faversham» and the аdditions to «The Spanish Tragedy»: Versification analysis // Journal of Early Modern Studies. 2016. № 5. P. 175–200.Lee, S., ed. (1909). Dictionary of national biography. New York: The Macmillan Company.The Oxford handbook of Tudor drama / Ed. by Thomas Betteridge and Greg Walker. Oxford: Oxford U. P., 2012.Tarlinskaya, M. (2016). Shakespeare in ‘Arden of Faversham’ and the аdditions to ‘The Spanish Tragedy’: Versification analysis. Journal of Early Modern Studies, 5, pp. 175-200.Williams, G. (1994). A Dictionary of sexual language and imagery in Shakespearean and Stuart literature. London: The Athlone Press.Williams, G. (1994). A Dictionary of sexual language and imagery in Shakespearean and Stuart literature. London: The Athlone Press.

The authors declare that there are no conflicts of interest present.