The essay focuses on the so called ‘Injin gifts’ – a racialist notion that James Fenimore Cooper attributed to his famous frontier hero Natty Bumppo in The Deerslayer (1841). While implying that certain traits of character, as for example vengefulness, was God’s ‘gift’ to the indigenous people, this notion also paradoxically questions the racial boundaries. The ‘gifts’ are both vertical (bestowed by God) and horizontal (liable to exchange) as Cooper’s novel demonstrates. To support this argument, the essay discusses the plot of racial violence and frontier war in the work of Cooper’s contemporaries – James Hall and Robert Montgomery Bird. Both authors introduce a new cultural hero – a white character who kills indigenous people out of revenge. While revenge is justified as an act of counter-violence, it also threatens to blur the racial boundaries since white characters put on the traits and share the spirit of their antagonists. This is especially evident in Bird’s novel Nick of the Woods (1837): Bird’s racist discourse, paradoxically and unwillingly, turns against itself as his white character Nathan Slaughter engaged in the potlatch-like exchange of violence and deaths, ‘mirrors’ the indigenous Americans he is trying to destroy.