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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">voplit</journal-id><journal-title-group><journal-title xml:lang="ru">Вопросы литературы</journal-title><trans-title-group xml:lang="en"><trans-title>Voprosy literatury</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0042-8795</issn><publisher><publisher-name>Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31425/0042-8795-2019-1-52-66</article-id><article-id custom-type="elpub" pub-id-type="custom">voplit-149</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ТЕОРИЯ: ПРОБЛЕМЫ И РАЗМЫШЛЕНИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>THEORY: PROBLEMS AND REFLECTIONS</subject></subj-group></article-categories><title-group><article-title>«Теория литературы Два» как гуманитарная угроза</article-title><trans-title-group xml:lang="en"><trans-title>‘Literary Theory Two’ as a threat to humanities</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Тюпа</surname><given-names>В. И.</given-names></name><name name-style="western" xml:lang="en"><surname>Tyupa</surname><given-names>V. I.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Валерий Игоревич Тюпа - доктор филологических наук.</p><p>125047, Москва, Миусская пл., д. 6, корп. 1</p></bio><bio xml:lang="en"><p>Valery I. Tyupa - Doctor of Philology.</p></bio><email xlink:type="simple">v.tiupa@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский государственный гуманитарный университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University for the Humanities</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>02</day><month>04</month><year>2019</year></pub-date><volume>0</volume><issue>1</issue><fpage>52</fpage><lpage>66</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury», 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><copyright-holder xml:lang="en">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><license xlink:href="https://www.voplit.com/jour/about/submissions#copyrightNotice" xlink:type="simple"><license-p>https://www.voplit.com/jour/about/submissions#copyrightNotice</license-p></license></permissions><self-uri xlink:href="https://www.voplit.com/jour/article/view/149">https://www.voplit.com/jour/article/view/149</self-uri><abstract><p>В статье рассматривается одна из новейших тенденций в области теоретического литературоведения. Отказ от эстетического творчества, фетишизация инструментов письма, устремленная к «постгуманизму», поиск «врагов» далеко не безобидны в современной ситуации кризисного состояния человеческой культуры.</p></abstract><trans-abstract xml:lang="en"><p>The article is concerned with one of the newest trends in literary studies championed by the journal Translit. The ‘new poetics’ promulgated by the journal, as well as the underlying ‘pragmatic theory of literature’, means rejection of the aesthetic focus in writing. In its crusade against the ‘aesthetic ideology’ the journal adopts an extreme form of relativism and adheres to the theory of power struggle between elites as the key driver of social relationships. The author argues that attachment of a fetish status to writing tools (especially the most fashionable electronic ones), dismissal of ‘anthropocentricity’ in favour of ‘posthumanism’ by pragmatic theorists, and an aggressive search for ‘epistemological and political enemies’ are a cause for a major concern in the contemporary cultural crisis.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>«Транслит»</kwd><kwd>теория литературы</kwd><kwd>поэтика</kwd><kwd>эстетика</kwd><kwd>риторика</kwd><kwd>инструментализм</kwd><kwd>постгуманизм</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Translit</kwd><kwd>theory of literature</kwd><kwd>poetics</kwd><kwd>aesthetics</kwd><kwd>rhetoric</kwd><kwd>instrumentalism</kwd><kwd>posthumanism</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Альберти Л. Б. Десять книг о зодчестве. В 10 тт. Т. 1 / Перевод с итал. В. Зубова, Ф. Петровского. 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