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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">voplit</journal-id><journal-title-group><journal-title xml:lang="ru">Вопросы литературы</journal-title><trans-title-group xml:lang="en"><trans-title>Voprosy literatury</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">0042-8795</issn><publisher><publisher-name>Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.31425/0042-8795-2018-1-209-224</article-id><article-id custom-type="elpub" pub-id-type="custom">voplit-11</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>СРАВНИТЕЛЬНАЯ ПОЭТИКА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>COMPARATIVE STUDIES</subject></subj-group></article-categories><title-group><article-title>АНГЛИЙСКИЙ МОДЕРНИЗМ И «АМЕРИКАНСКИЕ ТУРИСТЫ»</article-title><trans-title-group xml:lang="en"><trans-title>ENGLISH MODERNISM AND AMERICAN ‘TOURISTS’</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Половинкина</surname><given-names>О. И.</given-names></name><name name-style="western" xml:lang="en"><surname>Polovinkina</surname><given-names>O.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Ольга Ивановна Половинкина, доктор филологических наук, профессор РГГУ, заведующий кафедрой сравнительного изучения литератур </p><p>Сфера научных интересов - американистика, «метафизическая поэзия». Автор книг «“Проблески небес”. Метафизический стиль в американской поэзии первой половины XX века» (2005), «Метафизический стиль в истории американской поэзии» (2011), а также многочисленных статей о творчестве Дж. Донна, Т. С. Элиота и т. д.</p></bio><bio xml:lang="en"><p>Olga Ivanovna Polovinkina, Doctor of Philology, professor at the Russian State University for the Humanities, Head of the Department of Comparative Literature</p><p>Academic interests include American studies and ‘metaphysical poetry’. Author of the books ‘The Shiny Skies’. Metaphysical Style in American Poetry of the Early 20th Century [‘Probleski nebes’. Metafizicheskiy stil v amerikanskoy poezii pervoy poloviny XX veka] (2005), Metaphysical Style in the History of American Poetry [Metafizicheskiy stil v istorii amerikanskoy poezii] (2011), as well as numerous articles about the works of J. Donne, T. S. Elliot, etc. </p></bio><email xlink:type="simple">olgapmail@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>ИФИ РГГУ</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Institute for Philology and History of the Russian State University for the Humanities</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>29</day><month>09</month><year>2018</year></pub-date><volume>0</volume><issue>1</issue><fpage>209</fpage><lpage>224</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury», 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><copyright-holder xml:lang="en">Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»</copyright-holder><license xlink:href="https://www.voplit.com/jour/about/submissions#copyrightNotice" xlink:type="simple"><license-p>https://www.voplit.com/jour/about/submissions#copyrightNotice</license-p></license></permissions><self-uri xlink:href="https://www.voplit.com/jour/article/view/11">https://www.voplit.com/jour/article/view/11</self-uri><abstract><p>Деятельность в Лондоне американских писателей - создателей и представителей высокого модернизма рассматривается в статье как одно из проявлений «обратного завоевания», включается в общий контекст американизации Британии. При анализе восприятия этого явления английскими писателями-модернистами важное место отводится роману Ф. М. Форда «Солдат всегда солдат», а также «американским» статьям В. Вулф.</p></abstract><trans-abstract xml:lang="en"><p>In recent years, modernist studies have tended to nationalize issues, putting forward specific features of American and British modernist writings. This article treats Anglo-American modernism in terms of ‘the inverted conquest’ (A. Mejias-Lopez) with America ‘wrestling cultural authority from its former European metropolis’. The article starts with the subject of periphery and centre changing places, first in the imagination of American writers and then in reality. In F. M. Ford’s novel The Good Soldier the situation is seen as if the American would absorb the English. An American John Dowell outmatches and ultimately disparages ‘the good soldier’ and a superior Briton Ashburnham. The novel is analyzed as a result of pushing together two ways of writing - English and American (Jamesonian). Louis MacNeice treats the ‘Americanization of poetry’ in Modern Poetry: A Personal Essay (1938). In Aspects of Modern Poetry (1934) Edith Sitwell affirms the triumph of T. S. Eliot’s early poetry over ‘the bareness of the line’ in Housman’s A Shropshire Lad, famous for its poetical Englishness. A sort of latent urge to reaffirm Englishness against advancing Americanism is obvious in Virginia Woolf’s essays on American writers.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Ф. М. Форд</kwd><kwd>В. Вулф</kwd><kwd>Э. Ситуэлл</kwd><kwd>Л. Макнис</kwd><kwd>«Солдат всегда солдат»</kwd><kwd>англо-американский модернизм</kwd><kwd>«обратное завоевание»</kwd><kwd>американская культурная экспансия</kwd></kwd-group><kwd-group xml:lang="en"><kwd>F. M. Ford’s The Good Soldier</kwd><kwd>L. MacNeice’s Modern Poetry: A Personal Essay</kwd><kwd>E. Sitwell’s Aspects of Modern Poetry</kwd><kwd>V. Woolf’ American Fiction</kwd><kwd>America</kwd><kwd>Which I Have Never Seen</kwd><kwd>Americanization</kwd><kwd>‘the inverted conquest’</kwd></kwd-group><funding-group><funding-statement xml:lang="ru">Работа выполнена по гранту 17-04-00073 «Литературный процесс первой половины ХХ века в Европе и Америке: направления и школы».</funding-statement></funding-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Abravanel G. Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire. Oxford: Oxford U. P., 2012.</mixed-citation><mixed-citation xml:lang="en">Abravanel G. Americanizing Britain: The Rise of Modernism in the Age of the Entertainment Empire. Oxford: Oxford U. P., 2012.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Chielens E. 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