voplitВопросы литературыVoprosy literatury0042-8795Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»10.31425/0042-8795-2018-5-13-38voplit-105Research ArticleКУЛЬТУРНЫЙ ТРАНСФЕРCULTURAL TRANSFERЛоренцо в театре Гарньяно. Актеры и зрители итальянской деревни перед лицом нового искусстваLorenzo at ‘The Theatre’ Meeting actors and audienceЧерамеллаН.CeramellaN.

Ник Черамелла, литературовед 

38122, Италия, г. Тренто, Виа Калепина, д. 14

Nick Ceramella, independent researcher 

14 via Calepina, Trento, 38122, Italy

nickceramel@hotmail.com201818122018051338Copyright © Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury», 20182018Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»Avtonomnaja nekommercheskaja organizacija Redakcija zhurnala kritiki i literaturovedenija «Voprosy literatury»https://www.voplit.com/jour/about/submissions#copyrightNoticehttps://www.voplit.com/jour/article/view/105

В статье анализируются попытки Д. Г. Лоуренса охарактеризовать актеров и зрителей итальянского театра с позиций истории культуры, а также сделан акцент на том, как Лоуренс видел кино в ту эпоху, когда оно только зарождалось. Утверждается общая профетичность взглядов Лоуренса на взаимодействие этих двух видов искусства в мировой истории.

            Перевод с английского И. Морозова, О. Половинкиной

The article considers two versions of D. H. Lawrence’s essay The Theatre: the one which appeared in the English Review in September 1913 and the other one which Lawrence published in his first travel book Twilight in Italy (1916). The latter, considerably revised and expanded, contains a number of new observations and gives a more detailed account of Lawrence’s ideas.Lawrence brings to life the atmosphere inside and outside the theatre in Gargnano, presenting vividly the social structure of this small northern Italian town. He depicts the theatre as a multi-storey stage, combining the interpretation of the plays by Shakespeare, D’Annunzio and Ibsen with psychological portraits of the actors and a presentation of the spectators and their responses to the plays as distinct social groups.Lawrence’s views on the theatre are contextualised by his insights into cinema and its growing popularity.

What makes this research original is the fact that it offers a new perspective, aiming to illustrate the social situation inside and outside the theatre whichLawrenceobserved. The author uses the material that has never been published or discussed before such as the handwritten lists of box-holders in Gargnano Theatre, which was offered to Lawrence and his wife Frieda by Mr. Pietro Comboni, and the photographs of the box-panels that decorated the theatre inLawrence’s time.

Г. д’АннунциоГ. ИбсенУ. Шекспир«Гамлет»итальянцыжители Северной ЕвропытеатркиноG. D’AnnunzioH. IbsenW. ShakespeareHamlettheatrecinemaItalians vs. Northern EuropeansReferencesBaedeker K. Northern Italy. Leipzig: Karl Baedeker, 1913.Baedeker, K. (1913). Northern Italy. Leipzig: Karl Baedeker.Eggert P. Explanatory notes // Lawrence D. H. Twilight in Italy. Cambridge: Cambridge U. P., 1994a. P. 253–300.Boulton, J. T., ed. (1979). The letters of D. H. Lawrence, 1. Cambridge: Cambridge U. P.Eggert P. Introduction // Lawrence D. H. Twilight in Italy. 1994b. P. xxi–xxiv.Boulton, J. T. and Robertson, A., eds. (1984). The letters of D. H. Lawrence, 3. Cambridge: Cambridge U. P.Lake Garda: Gateway to D. H. Lawrence’s voyage to the sun / Ed. by Nick Ceramella. Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2013.Boulton, J. T. and Vasey, L., eds. (1989). The letters of D. H. Lawrence, 5. Cambridge: Cambridge U. P.Lawrence D. H. The letters 1 / Ed. by James T. Boulton. Cambridge: Cambridge U. P., 1979.Ceramella, N., ed. (2013). Lake Garda: Gateway to D. H. Lawrence’s voyage to the sun. Newcastle-upon-Tyne: Cambridge Scholars Publishing.Lawrence D. H. The letters 2 / Ed. by George J. Zytaruk & James T. Boulton. Cambridge: Cambridge U. P., 1981a.Eggert, P. (1994a). Explanatory notes. In: D. H. Lawrence, Twilight in Italy. Cambridge: Cambridge U. P., pp. 253-300.Lawrence D. H. The lost girl / Ed. by John Worthen. Cambridge: Cambridge U. P., 1981b.Eggert, P. (1994b). Introduction. In: D. H. Lawrence, Twilight in Italy. Cambridge: Cambridge U. P., pp. xxi-xxiv.Lawrence D. H. The letters 3 / Ed. by James T. Boulton & Andrew Robertson. Cambridge: Cambridge U. P., 1984.Lawrence, D. H. (1981). The lost girl. Cambridge: Cambridge U. P.Lawrence D. H. The letters 5 / Ed. by James T. Boulton & Lindeth Vasey. Cambridge: Cambridge U. P., 1989.Lawrence, D. H. (1994). Twilight in Italy. Cambridge: Cambridge U. P.Lawrence D. H. Twilight in Italy / Ed. by Paul Eggert. Cambridge: Cambridge U. P., 1994.Lawrence, D. H. (1997). Sea and Sardinia. Cambridge: Cambridge U. P.Lawrence D. H. Sea and Sardinia / Ed. by Mara Kalnins. Cambridge: Cambridge U. P., 1997.Marchant, J., ed. (1907). National Council of Public Morals. Cinema commission of enquiry. London: Williams and Norgate.Lawrence D. H. The plays. Part 1 / Ed. by Hans-Wilhelm Schwarze & John Worthen. Cambridge: Cambridge U. P., 1999.Moore, H. T. (1974). The priest of love. Harmondsworth: Penguin.Moore H. T. The priest of love. Harmondsworth: Penguin, 1974.Moran, J. (2015). ‘The Theatre’ of D. H. Lawrence: Dramatic Modernist and theatrical innovator. London: Bloomsbury.Moran J. «The Theatre» of D. H. Lawrence: Dramatic Modernist and theatrical innovator. London: Bloomsbury, 2015.Perini, U. (1974). Gargnano nella storia e nell’arte. Bornato: Sardini Editrice. (In Italian).National Council of Public Morals. Cinema commission of enquiry / Ed. by J. Marchant. London: Williams and Norgate, 1907.Sagar, K. (1978). The strange history of ‘The Daughter-in-Law’. D. H. Lawrence Review, 11, pp. 175-185.Perini U. Gargnano nella storia e nell’arte. Bornato: Sardini Editrice, 1974.Schwarze, H.-W. and Worthen, J., eds. (1999). The plays of D. H. Lawrence. Part 1. Cambridge: Cambridge U. P.Sagar K. The strange history of «The Daughter-in-Law» // D. H. Lawrence Review. 1978. Vol. 11. P. 175–185.Stovel, N. F. (1995). Passion and possession: D. H. Lawrence’s ‘Daughter-in-Law’ and John Osborne’s ‘Look Back in Anger’. Etudes Lawrenciennes, 11, pp. 129-153.Stovel N. F. Passion and possession: D. H. Lawrence’s «Daughter-in-Law» and John Osborne’s «Look Back in Anger» // Etudes Lawrenciennes. 1995. Issue 11. P. 129‒153.Zytaruk, G. J. and Boulton, J. T., eds. (1981). The letters of D. H. Lawrence, 2. Cambridge: Cambridge U. P.

The authors declare that there are no conflicts of interest present.